Advanced Search Abstract This article is concerned with the intellectual and cultural constructions of homosexuality in nineteenth-century scientific writing about sexuality as a precursor to criticism about homosexuality in Shakespeare's works. It argues that queer early modern criticism of Shakespeare has illuminated the valences of homoerotic desire in plays and poems, and has paid tribute to theories that influenced it in the second half of the twentieth century, but it has remained unreflective on the discursive and critical heritage of the nineteenth century. Thus the article explores the influence of nineteenth-century German sex science on the development of the psychology of sexuality and psychoanalysis in England in the nineteenth and the first half of the twentieth century. Queer theory has in common with nineteenth-century sex science and theories of homosexuality a focus on character and its interiority.
Excerpt from Term Paper: Homosexuality in Shakespeare's Tragedies Elements of sexuality and lust are very openly present in the works of Shakespeare's tragedies. No matter if one is reading Othello, Hamlet or Romeo and Juliet, one can't deny the frequent allusions to concepts such as love and lust, hatred and desire, want and self-absorption, even violence as they relate to relationships and sexuality.
This common theme pervaded much of the work that was written during the time of Shakespeare, and is evident even of great works today.
Has the work of Shakespeare, especially as written and revealed in the tragedies however, been adequately explored? Has society achieved ultimate understanding of all the deep seated desires of Shakespeare's work, or are there hidden themes related to sexuality that have yet to be uncovered?
Shakespeare's tragedies undoubtedly reveal the emotions involved when portraying characters filled with love and lust, desire and feeling toward one another in typical love hate relationships.
There is another side of Shakespeare's tragedies however, one involved intimately with sexuality, that has cause to be considered further.
The theme of homosexuality as portrayed in the tragedies warrants a great deal of exploration, as it has warranted fervent discussion amongst interpreters, literary scholars and psychoanalysts not to mention the avid reader.
There are many that would say that Shakespeare's work exhibits many elements of male friendship as commonly portrayed in the Renaissance era. However, upon closer examination it is highly reasonable to assume that many of Shakespeare's male tragic figures in fact displayed outright homoerotic and homosexual tendencies.
Some even argue that William Shakespeare himself may have lived a secretly gay lifestyle. Many have discussed and pondered over the prevalence of homosexual innuendo's in the Sonnet's that Shakespeare wrote. Sonnet Twenty is a prime example of a work completed by William Shakespeare that openly expresses his desire for another male figure.
What of Shakespeare's tragedies?
|Short Essay: Homosexuality, short story by MurderousSweetTart||Instead, it focuses on the freedom that springs from ignoring traditional gender roles and boundaries.|
Homosexual tendencies can also be attributed to many of Shakespeare's tragedies including Othello and Hamlet. The relationships between the male parties in his works is often ambivalent, indicating a leaning toward female sexual desire at one moment and males sexual desire the next.
Perhaps a more correct synopsis would be to suppose that Shakespeare's work often takes on bisexual tendencies. Close examination of the wording in Shakespeare's work reveals many hidden implications that openly express sexuality, lust and desire.
The real question is, are these tendencies always heterosexual in nature or can they in fact be considered homosexual? Many have written on the idea of the prevalence of homosexual emotions in Shakespeare's works, and commented openly about their considerations. Michael Foucault put it slightly differently, "At the bottom of sexthere is truth," he said.
Thus it is that we might solve a pervasive mystery present in Shakespeare's texts. It is through an exploration of sexual lies and fiction that we might discover the truth about Iago, the villain of Othello, the Moor of Venice, who participates in the one explicit act of homosexuality that occurs in any of Shakespeare's tragedies Partridge Essay on Homosexuality in William Shakespeare's The Merchant of Venice - Homosexuality in William Shakespeare's The Merchant of Venice With every great story line comes a theme.
William Shakespeare created an art of intertwining often unrecognizable themes within his plays. View this essay on Homosexuality and Gender in Twelfth Night. Gender bending is a major theme of Twelfth Night In the very first act of the play Viola disguises Essay Homosexuality and Gender in Twelfth Night and 90,+ more term papers written by professionals and your peers.
The sexuality of William Shakespeare has been the subject of recurring debate. are love poems addressed to a man, the "Fair Youth", and contain puns relating to homosexuality. Marriage. At the age of 18, Shakespeare married the that before she went from the play she appointed him to come that night unto her by the name of .
By approaching the subject of homosexuality with comedy, Shakespeare is allowed to explore this controversial topic more in depth.
Given that his society was not at all accepting of homosexuality, Shakespeare took a risk in making a play that centers around three homosexual couples. With every great story line comes a theme.
William Shakespeare created an art of intertwining often unrecognizable themes within his plays. In Shakespeare’s play, The Merchant of Venice, one hidden theme is the idea of homosexuality.
This theme might not have even been noticed until modern. In Shakespeare’s play ‘The Twelfth Night’ the concept of homosexuality as is love in general is widely covered and the aspects of the same detailed (Draper, n.d.).
It occurs therefore that homosexuality is a practice that has been practiced for a long enough time and should not shock anyone.